Ballett Zürich: Countertime
A well-balanced triple bill of a MacMillan classic, a European premiere from director, Cathy Marston, and a brand new commission from Bryan Arias.
A well-balanced triple bill of a MacMillan classic, a European premiere from director, Cathy Marston, and a brand new commission from Bryan Arias.
Set against a backdrop of the trenches and images of men going ‘over the top’, it remains incredibly haunting. The audience was totally rapt.
It was a truly joyous few hours. Performances from BH2, salsa and merengue sessions for everyone, live music from the terrific Tempo Alegre…
London audiences will get a chance to see Juilliard students next year as the school has joined forces with the Rambert School in a year-long collaboration
The show draws on multiple art forms, being at least as much about fashion, visuals and music as the choreography; perhaps more so
The mesmeric, swooping, sweeping beauty of a murmuration in the soft light of sunset is reduced to that of automatons
Swedish minimalism brushed against Colombian carnival, French surrealism met British street energy, children’s laughter cut through adult abstraction.
A collaborative exploration of fragmented narratives and contemporary desires, it unfolded as a deliberately fractured whole across multiple spaces
Peacock Theatre, LondonSeptember 3, 2025 The Copenhagen Collective is a newly formed international circus ensemble based in Denmark comprising sixteen acrobat/dancers from diverse countries and cultures. The Genesis, a rather appropriate title for their debut production, premiered in Copenhagen in July 2024. The performance showcases some breathtaking acrobatics and dance, with creative stagecraft. Particularly noteworthy … Read more
McOnie’s dance drives the production, with sweeping ensemble sections, duets, and shifting formations that dazzle the eye.
Kennedy Junior Muntanga has a body that speaks, he is a beautiful dancer with fluid strong movement… that speaks directly to the audience.