A quartet of shows from Barcelona’s dansa metropolitana festival
Carcaça by Marco Da Silva Ferreira; Las cosas se mueven per no dice nada by Poliana Lima; Above by Gaston Core; Crowd by Gisèle Vienne
Carcaça by Marco Da Silva Ferreira; Las cosas se mueven per no dice nada by Poliana Lima; Above by Gaston Core; Crowd by Gisèle Vienne
While it maybe addressed to children and teenagers, it is also has much for adults, being a dance journey about what and where is home
Xinzhuang Culture and Arts Center, New Taipei City, TaiwanMarch 22, 2023 Taipei Elementary and Junior High School Talented Programme Annual Performance(臺北市度國民中小學藝術才能舞蹈班教學成果發表會)Chungshan Hall, TaipeiMarch 22, 2023 University dance departments in Taiwan are rather closer to conservatoires than those that exist in UK universities outside the main vocational schools. Their performances tend to reflect their individual ethos … Read more
On the And, is an apt title. The intake of breath that precipitates the rush of energy and action brings memories flooding back
Two fine programmes both featuring a reworking of Ihsan Rustem’s super, tongue-in-cheek Bolero and Tsai Po-cheng’s (蔡博丞) new Dreaminess
Digital meets dance plus music and visuals. A double bill that is a superb evening of total theatre.
“We are not treating them like kids. [They] have to put on a large-scale West End performance. We’re asking a lot of them, but they are so rising to it.”
She explains that the work explores the complex layering of the various forms of decay, fading and loss to which we are forever exposed…
One man. One light. A bare stage. In a way it’s as minimalist as it sounds. But in another, anything but
We talk to Ruth Brill artistic director of London Children’s Ballet ahead of its performances of Snow White at London’s Peacock Theatre
Four diverse pieces including ballet meeting tap in Time Spell, although the highlight is William Forsythe’s The Barre Project (Blake Works II)