One evening, two worlds: Dance x 2 by Dance Theater Heidelberg
‘Crash: reassembled’ by Astrid Boons, a reworking of her 2020 piece, and ‘IT’S NIGHT AGAIN’, a new work by Italian choreographer duo Panzetti/Ticconi
‘Crash: reassembled’ by Astrid Boons, a reworking of her 2020 piece, and ‘IT’S NIGHT AGAIN’, a new work by Italian choreographer duo Panzetti/Ticconi
The six works on this year’s tour certainly live up the requirement to be “original, imaginative, unique and… display unusual achievement.”
Leïla Ka’s choreography is sharply incisive and precise, requires great core strength and physicality, but also leaves plenty of space for vulnerability
The autumn matinee of the Ballett-Akademie der Hochschule für Musik und Theater München (Akademie) and Bayerisches Junior Ballett München (BJBM)
Sandborgh, Yee and Taddeo display a raw, aggressive and at times brutal male energy, which is rarely seen in choreography for women
“Having pulled you in, it holds you all the way to the final moment… An unusual Sacre for sure. But also one with a rare beauty.”
Montero’s final work for the Staatstheater Nürnberg Ballett, Malditos Benditos is a series of personal revisiting of some of the his most popular works
The Staatsballett Berlin dancers were beautifully precise and neat in all the complex combinations, the movement looking fresh and innovative
Full of boundless energy, fine dancing and pretty impressive acting… fifty minutes that’s hugely enjoyable and extremely entertaining.
Each movement has its own choreographic and lighting colour, the dance shifting easily from light and bouncy, to more earthy, floor-based
A triptych that speaks about real, urgent, worrying and dramatic themes, realised through a combination of danced poetry and beauty