Joy Womack: The White Swan
It’s a courageous film, one that presents a very honest, warts and all view of its subject: darkness as well as light, black swan as well as white swan
It’s a courageous film, one that presents a very honest, warts and all view of its subject: darkness as well as light, black swan as well as white swan
Introduced by First Lady Jill Biden, and featuring digital premieres of works by Silas Farley, Helen Pickett, and James Whiteside
A fine afternoon’s dancing, this year mostly by the Upper School, highlighted by Elite Syncopations
With Circolombia, it’s the acrobatics that provide all the highlights. Much of it is aerial, which means a grandstand view for all.
The highlight was a superb performance of the Act II of Matthew Bourne’s ‘romantic wee ballet’, Highland Fling
The partner work is as fabulous as you would expect with some great ‘human constructions’ and striking images
There’s lots of silly goings on along with the regular circus acts, music and dance
An evening of top quality performances and choreography across an exciting range of styles, a feast after the famine
A superb film that captures completely the spirit of the original, albeit with a slightly quieter, more reflective feel.
A classically-rooted work by Igal Perry about relationships, and a sharper but still very human one from Yin Yue
Not surprisingly, the pandemic never felt far away, but neither also was the energy and optimism of youth