Dance up close. Ballet Nights launches in London’s Docklands
A new season mixing classical, neoclassical and contemporary dance, well-known works and new choreography gets off to a fine start
A new season mixing classical, neoclassical and contemporary dance, well-known works and new choreography gets off to a fine start
Most interesting of the fifteen excerpts and pieces danced, were the unknown. The undoubted highlight was Servant of the Muse by Volha Kastsel
An exploration of mortality and how we say goodbye, it is very poignant and thoughtful at times, but there’s also a lot of fun along the way.
I don’t recall a Birmingham ballet evening like it. An evening of surprises. A real celebration of the band and its music. And of dance.
Although the scenario is rich with possibilities, director Stephane Mohr fails to exploit them. With Aurélia Thiérrée and Fukiko Takase
The couple created an intimate relationship. One sequence of coming together and drawing apart… was surprisingly compelling.
Hopes were up. ENB have been riding high of late, with particularly strong dancing from the men and exciting choices of programme.
Seventy minutes of colour: in light, costume and video design, and movement… The dancers are superb, individually and collectively.
The hip hop dance sections are terrific. Tightly choreographed, tightly danced, they bristle with energy and togetherness.
Written by contributors from across the globe, a new book that offers a look at dance in 25 countries and cultures.
Another show and more last-minute programme and cast changes with no apology given. But at least it meant we got to see Dancing Spirit again