The Royal Ballet and Opera: Phaedra + Minotaur
In Minotaur… choreographer Kim Brandstrup has all he needs in three remarkable dance artists and an eloquent dance language.
Motionhouse: Hidden
Artistic director Kevin Finnan’s works are always deeply thought, but I’m not sure any has reached out and touched as Hidden.
Oedipus: Old Vic with Hofesh Shechter Company
The opening moment; a sudden blackout… wall of sound… dancers pulsing in muscular rhythm in cold hazy light sets the stage for a momentous drama.
Compagnie Focus & Chaliwaté: Dimanche
Tenret takes the audience through every emotion. There are searingly sad moments… frightening moments, and very funny moments.
The Rose Interntaional Dance Prize: An Untitled Love (Kyle Abraham) and Sepia (Stav Struz Boutrous)
Set to the highly evocative music of neo-soul artist D’Angelo and The Vanguard, An Untitled Love is a flowing, sensuous piece…
Varna International Ballet: Romeo and Juliet
While certainly a romantic story of two lovers, Romeo and Juliet is also a tale haunted by death, which Bobrov emphasises throughout.
Gandini Juggling: Heka
As if being able to juggle and dance weren’t enough, Sean Gandini and his company have added magic to the mix.
Northern Ballet: Three Short Ballets
an emotional evening of dance. From the bittersweet melancholy of Rudi van Danzig’s Four Last Songs to the full-blooded passion of Mthuthuzeli November’s Fools with a fun interlude from Kristin McNally between, it was an evening to engage heart and soul.
Birmingham Royal Ballet announces 2025-26 season and a centenary tribute to Sir Peter Wright
The return of Black Sabbath – The Ballet and Don Quixote, and of The Green Table in a fabulous triple bill, plus a gala for Sir Peter Wright
The Royal Ballet: Onegin
Marianela Nuñez’s several-years-later Act III pas de deux with Lukas Bjørneboe Brændsrød’s Prince Gremin was a thing of sublime beauty
Think you know these classic ballets well? Think again.
“A page-turningly good read” as “Fullington and Smith… invite the general and specialist reader alike to rethink nineteenth-century ballet.”