Tense and compelling, brave and innovative: Scottish Ballet in The Crucible
Never loses sight of the very real human cost at its centre
Róisín O'Brien
New works, new contexts: Scottish Ballet’s Digital Season
Films, live streams and ‘digital experiments’
a Human Connection: an immersive multimedia exhibition with the late Janis Claxton
Filling space with live visual art
Emerging artists take the stage at Spring Forward
Showcasing the most exciting new dance makers in Europe
An impressive and fascinating look at a queen often misunderstood: Northern Ballet in Cathy Marston’s Victoria
Abigail Prudames’ depiction of a queen cowed by grief is particularly moving
Otherworldly grandeur in Birmingham Royal Ballet’s Beauty and the Beast
A fairy tale with something for all
Prelude – skydiving from a dream with Scottish Ensemble and Andersson Dance
Reverberations of rhythm, direction and intent
Powerful and symbolic: Akram Khan’s Xenos
A suffusing of the body into its environments and narratives
From Archipelagic Thinking to Dolores: Two days at the Dublin Dance Festival
First Looks was an enjoyable hour of three in-progress works