Anders Duckworth: Little M
An enjoyable 75 minutes. My nine-year-old grandson also thought it was magical, although that, I’m afraid, passed me by.
An enjoyable 75 minutes. My nine-year-old grandson also thought it was magical, although that, I’m afraid, passed me by.
With a very open-minded approach… Baru Madiljin weaves ancestral memory and still lingering historical scars into the dancers’ bodies and emotions.
Three very different works set in three very different worlds. All showcase the company terrifically… and in Mabon, something uniquely Welsh.
Baru Madiljin explains that, while the work does not describe what happened over 150 years ago, he hopes viewers will feel fragments of memories
The story revolves around a woman trying to buy a coffee, and the barista not understanding what she wanted.
The quality of the dancing was excellent, with the men out-performing the women in cleanness of lines, and wonderfully precise syncopation
An hour of monologue, interspersed with freestyle dance routines but does feel like a set of unconnected routines rather than a single dance work.
“Extremely hard-hitting and impactful dance-docu-drama… Everything about Detention works.”
The six dancers present sequence after sequence of precise, tight, intricate, and repetitive dance, that certainly hits the spot.
An hour of extraordinary dance and mesmerising choreography as 16 dancers bring the jungle to the stage, to a music by Marihiko Hara.
As an ensemble, they moved as one when required to do so. Individually, they were interpretive and wholly engaging.