Fragments and collisions: We Should Have Never Walked On The Moon
A collaborative exploration of fragmented narratives and contemporary desires, it unfolded as a deliberately fractured whole across multiple spaces
A collaborative exploration of fragmented narratives and contemporary desires, it unfolded as a deliberately fractured whole across multiple spaces
The narrative takes convoluted turns and tangents; the fine lines of the Specky’s reality an ambiguous jumble
The dancers are outstanding. Their coherence was stunning, creating visual effects by moving as a group, shaping and reshaping
Featuring Oona Doherty’s ‘Navy Blue’, Robyn Orlin’s ‘We wear our wheels with pride…’, Mette Ingvartsen’s ‘The Dancing Public’ and more
Drawn from a remarkable 456 artists and companies suggested
Mud of Sorrow: Touch highlights Dancing Nation part two
Fifteen live or pre-recorded performances in one day
A cathartic and intense journey