Edinburgh Fringe: Resident Island Dance Theatre in Ice Age; Indepen-dance in Entwined
For all its downbeat beginning, Ice Age definitely comes with a life affirming, positive outlook. It ends celebrating the human body and spirit
For all its downbeat beginning, Ice Age definitely comes with a life affirming, positive outlook. It ends celebrating the human body and spirit
Fine detail is everywhere in an hour of contemporary dance at its best: beautiful, telling movement that holds you throughout.
When mime, movement and music come together, the results are wonderfully, but the spoken word does sometimes take away from the visuals
Jess and Morgs’ Coppélia takes a big step away from the usual versions. It’s certainly different and it’s certainly relevant
A dance of hope and optimism, that ultimately finds hope and beauty even in the darkest of places
A conversation with Jasmin Vardimon about her new production, ALiCE, and a look at her company’s fabulous new creative hub in Ashford, Kent.
Curtain Up! packs a lot into its 40 pages… a super insight for young people (and possibly their grown-ups) into the world of ballet and opera.
The music is gorgeous, the set is fabulous, there’s romance and real, fully-fleshed out characters everywhere you look
Christopher Hampson talks about Scottish Ballet’s new Coppélia by Jess and Morgs that premieres at the Edinburgh International Festival
A fine programme that reflected well the dancers’ classical training, and the School and Stuttgart Ballet heritage
Shobana Jeyasingh’s Clorinda Agonistes is a dramatic tale that weaves dance successfully with opera, live music and design