English National Ballet in Johan Inger’s Carmen
There is definitely a sense that we are observing a community living on the edges of society and, for all Inger’s protestations…, it is clearly gitano
There is definitely a sense that we are observing a community living on the edges of society and, for all Inger’s protestations…, it is clearly gitano
Hortense Millet-Maurin, a tiny spitfire of a dancer who has a deft touch with comedy and big eloquent eyes, was a witty Lise.
classic contemporary dance, a work of conceptual dance/art and a breakdance-inspired close, all invested with Antipodean energy and commitment
Maggie Foyer talks to James Pett and Travis Clausen-Knight, whose IMAGO receives its UK premiere on April 26 and 27.
A triple-bill of Balanchine’s Serenade, Forsythe’s In the Middle, Somewhat Elevated, and the new Strangelove by Andonis Foniadakis
Syncopation deserves to be picked-up and transferred to the West End. Seldom have two performers, or a musical play, deserved it more.
This triple bill of Danses Concertantes, Different Drummer and Requiem gives evidence of the breadth and depth of his creative talents
“My way into the white world of ballet,” well summarizes his story but the biography… also gives a rare insight into what it means to be a dancer
A dance production that truly speaks to the ills of contemporary society and that is not afraid to make us laugh along the way.
If you can endure the unnerving projections and the musical scares… the brilliant dancers make it a satisfying experience
New and unfamiliar works rub shoulders with old favourites, with Sergio Bernal’s The Thinker the unexpected highlight of a super evening