Reviews
Dancing at Dusk: A moment with Pina Bausch’s The Rite of Spring
The tension between the sexes seems heightened on the windswept sands
Sleek and perfectly fashioned: Birmingham Royal Ballet in Stems by Kit Holder
Full of muscular long lines
Alive with memories: The House Behind the Wall by Yeh Ming-hwa
Slowly draws the audience inside the building
Charged and taut: Stuttgart Ballet in Louis Stiens’ Messenger
Fluid floorwork combined with balletic precision
Impressions of Lorca’s The House of Bernarda Elba: Waiting for Pepe by Carlos Pons Guerra
Repression, conformity and suppressed desire
Beautifully appealing: Dance Theatre of Harlem in Vessels
Grace of the performers, flow of the choreography