Bayerisches Staatsballett: Schmetterling
Silent Screen and Schmetterling sit together comfortably, sharing Lightfoot and Léon’s distinct movement vocabulary and strong sense of theatricality
Silent Screen and Schmetterling sit together comfortably, sharing Lightfoot and Léon’s distinct movement vocabulary and strong sense of theatricality
Dedicated to a dear departed friend, the work developed out of the loss and dismay he went through after her death
Prelocaj deals with love and attraction, sexual desire and seduction. It’s very much a ballet of suggestion, of desire that’s only realised in Act III
A participatory family-friendly piece where the spectators became protagonists themselves, each performance thus being unique.
José Martínez has given the ballet a make-over. With the important dance intact but the libretto trimmed, it is destined to become a new favourite.
A mesmerising piece from the dark realm of dreams inhabited by genderless creatures and a drag-queen in black sequins and a towering tiara
Its weird, dream-like story and imaginative set… explode with colour; and it offers multiple roles to show off dancers.
In ‘The Romeo’, Trajal Harrell combines voguing with bizarre and fascinating outfits in choreography full of fluid, wavy, undulating movement
It was good to witness some excellent dancing and well-thought choreographies.
A fine evening with plenty of variety; and one not dominated by nineteenth-century fireworks.
Martí Fernández Paixà is a superb Onegin, perhaps ballet’s ultimate romantic villain. He fills the stage, even when just standing in the background