The Royal Ballet: Don Quixote
You can’t deny it’s a crowd-pleaser. Sunny and warm, full of dancing bullfighters, gypsies and other locals, Don Quixote is real feelgood ballet
You can’t deny it’s a crowd-pleaser. Sunny and warm, full of dancing bullfighters, gypsies and other locals, Don Quixote is real feelgood ballet
Su Pin-wen (蘇品文) and Alexandre Fandard are engaging performers with considerable stage presence. Yet both works, failed to deliver fully
The noted Indian choreographer-dancer talks about her solo show, which considers to often taboo subject of female sexual desire
Pick of the evening was Robert Battle’s The Hunt. About the predatory side of human nature, it’s intense. Very intense.
It was a very impressive two days programming. Noise, colour and community. Innovation and creativity.
A new season mixing classical, neoclassical and contemporary dance, well-known works and new choreography gets off to a fine start
Most interesting of the fifteen excerpts and pieces danced, were the unknown. The undoubted highlight was Servant of the Muse by Volha Kastsel
An exploration of mortality and how we say goodbye, it is very poignant and thoughtful at times, but there’s also a lot of fun along the way.
I don’t recall a Birmingham ballet evening like it. An evening of surprises. A real celebration of the band and its music. And of dance.
Seventy minutes of colour: in light, costume and video design, and movement… The dancers are superb, individually and collectively.
The hip hop dance sections are terrific. Tightly choreographed, tightly danced, they bristle with energy and togetherness.