Staatsballett Berlin: Gods and Dogs, Angels’ Atlas
The Staatsballett Berlin dancers were beautifully precise and neat in all the complex combinations, the movement looking fresh and innovative
The Staatsballett Berlin dancers were beautifully precise and neat in all the complex combinations, the movement looking fresh and innovative
A triptych that speaks about real, urgent, worrying and dramatic themes, realised through a combination of danced poetry and beauty
Whimsical, intricate and playful… an evening where dream and reality merge, and the boundaries between love and deception blur.
An extraordinarily wide-ranging programme of work… in the highly atmospheric Grand Cloister of the Santa Maria Novella.
The varied programme of mostly excerpts from longer pieces delighted the enthusiastic audience on a summery Sunday evening
This performance of Patrice Bart’s Giselle was special in that it saw Ksenia Ovsyanick dance the lead role for the last time
Dedicated to a dear departed friend, the work developed out of the loss and dismay he went through after her death
A participatory family-friendly piece where the spectators became protagonists themselves, each performance thus being unique.
In ‘The Romeo’, Trajal Harrell combines voguing with bizarre and fascinating outfits in choreography full of fluid, wavy, undulating movement
It was good to witness some excellent dancing and well-thought choreographies.
Onegin… thoughtful, restless, troubled, austere. A sense of deep solitude and… incapacity to open up emotionally accompanies him throughout