A new take on an old story: Kidd Pivot in Crystal Pite and Jonathon Young’s Revisor
Quite simply, a brilliant piece of theatre, one where the performers don’t move to music but dance the words, physically expressing them in every way
Connection, unity, trust and support: Heidi Weiss’ interbeing
Soft touches ignite new phrases as the dancers look at each other, vigilant of every single movement.
Kontemporary Korea: A Triple Bill of K:Dance
The third programme in this Festival of Korean Dance delivered… skilled craft, intellectual rigour and something distinctive and unusual
Choi x Kang Project and Art Project BORA in a Korean double-bill
A Complementary Set: Disappearing with an Impact by Choi x Kang Project is more of an experimental performance than a dance show…
Cathy Marston’s The Cellist with Ballett Zürich
A journey through heartbreaking emotions. As the Cellist, Guilia Tonelli embodied the indescribable pain of losing everything.
A dance of sublime pleasure. Staatsballett Berlin in Christian Spuck’s Messa da Requiem
“…Rich in aesthetic charm and delicate beauty… abounds in dramatic moments… absorbs and leads to wonder.”
A picture of war, resilience and hope: United Ukrainian Ballet in Alexei Ratmansky’s Wartime Elegy
Danced to piano and string compositions by Valentin Silvestrov, and traditional folk music, it’s a picture of the people behind the headlines
Young Stars, New Vision. New dance in Taipei
Dance, physical theatre and circus to the National Theater’s black box stage in three, very different, 30-minute works.
Joy, tears and more: Want to Dance Festival’s Exchange Program
Including ‘Sky ~ World challenge in Taiwan~’ by Reisa Shimojima from Japan. A serious theme for sure, but utterly mad and utterly brilliant
An evening of energy from Korea National Contemporary Dance Company
KNCDC’s enthusiasm, energy and commitment inspire and delight, and this double bill by Jaeyoung Lee and Sung Im Her is no exception
Dance in all its variety: Shinehouse Theatre’s Want to Dance Festival
Over three packed days, artists from 15 countries presented 74 works at the company’s Wan Theater and 16 less traditional venues.