Sir Matthew Bourne’s The Red Shoes on the big screen
Bourne manages to pull off the tricky challenge of being faithful to the original while giving his production an inner life all of its own
Bourne manages to pull off the tricky challenge of being faithful to the original while giving his production an inner life all of its own
José Martínez has given the ballet a make-over. With the important dance intact but the libretto trimmed, it is destined to become a new favourite.
A long-overdue look at an underrated and perhaps now largely forgotten principal dancer.
The exhibition… certainly whets the appetite for the forthcoming screening of the re-mastered film. What it lacks in quantity, it makes up for in quality
A mesmerising piece from the dark realm of dreams inhabited by genderless creatures and a drag-queen in black sequins and a towering tiara
The dancers are talented and committed. They bring to the stage control and technique that contrasts starkly with the chaos the piece portrays.
The most impressive of the works proved to be Daniela Cardim’s unashamedly neoclassical ballet to two of Bach’s harpsichord compositions
It is great fun; a show that will delight dance lovers and music lovers, young and old alike. The time flies. The dance comes pretty much non-stop
The undoubted highlight… is Tiler Peck’s Intimate Pages. It’s full of invention and packed with steps. The dance eats up every inch of the stage.
The warmth of the dance came at a good time to counter a damp and increasingly dark London
A fusion of music, dance, song, dialogue and puppetry with over 70 performers and elaborate sets and costumes, it promises to be a real spectacle.