Mthuthuzeli November: making ballet with humanity
Ahead of the premieres of his new works for Ballett Zürich and The Royal Ballet, Maggie Foyer looks at the work of the South African choreographer.
Ahead of the premieres of his new works for Ballett Zürich and The Royal Ballet, Maggie Foyer looks at the work of the South African choreographer.
The new Les Noces choreography, very much collaborative, embodies Stravinsky’s music absolutely. There’s a powerful sense of direction of travel.
A pleasure to watch in every respect: the dancing is a joy, and the costumes and sets some of the best around.
Daniela Dimova talks about Varna International Ballet’s Swan Lake, now touring, that restores the score and dramaturgy to Tchaikovsky’s original.
Cojocaru recalls being particularly attracted by Gelsomina’s way of thinking. “Her way of being, of seeing the world… so naive, innocent and simple…”
Jordan Lian talks to Malgorzata Dzierzon about the creative process and inspirations behind New Movement Collective’s new Les Noces – The Departure
In the first of an occasional new series, Alina Cojocaru chooses seven works that have particular significance for her, saying a few words about each.
A unique retrospective of her immersive creations. Across three large rooms, the Munich exhibition presents major creations from her catalogue
Bridget Breiner shifts the action to early 20th-century America. The all-new choreography is refreshingly classical, the ballet a showcase for technique
A show full of imagination and fine physical theatre and dance. It may be aimed at youngsters, but this grown up enjoyed it a lot too!
With all ticket proceeds from which go to the charity, this year’s edition of established favourites and new work was a festive feast of fine dance