An Evening with Matthew Ball
“…Resists easy categorisation. Neither performance nor talk, it functions as a self-portrait in transition, part experiment, part public reckoning.”
UK
Matthew Bourne’s The Red Shoes
There is a lot of dancing but it does feel like one big number after another at times. And the choreography within them is very busy
Kings International Ballet: The Nutcracker
A rather enjoyable, neatly choreographed, well-danced show… An animated party scene that brims with life, helped by a great deal of dancing
Fiddler on the Roof: a masterpiece and a musical for all times
A wonderful two-and-a-half-hours; a masterpiece of character and storytelling… Great music, great dance… a lot of heart… A show you will not forget.
Mountains and Seas – Song of Today
The ambitions of the creative team are unmistakable, and the sparks within these fragments may yet find a more cohesive form.
ZooNation and hip hop meet Charles Dickens in Ebony Scrooge
The dancing is terrific. Every single member of the cast bursts with energy and athleticism. Everything is so sharp, so precise, it takes your breath away
Birmingham Royal Ballet: The Nutcracker
A ballet that wraps young and old alike in a warm, familiar fantasy, it’s a chance to snuggle down and forget the world outside for a couple of hours.
Adam Garcia’s Emerald Storm
A very enjoyable evening’s entertainment; a good night out… a little rough around the edges maybe, but then the urban feel is part of the fun
Ballet Black: Shadows
Ballet Black have had a difficult year having to relocate to West London. It doesn’t show in performance, however.
The Royal Ballet’s The Nutcracker
At the curtain call, the audience greets Sir Peter Wright, his 99th birthday days away. Fiction and reality touch lightly. The ballet’s tradition no longer distant.
London City Ballet in Rebirth: Page, Robbins, Chu, Ratmansky
The company just gets better and better. The eleven dancers were outstanding in their grace, fluidity, musicality and interpretation