Vicente Amigo: Memoria de los Sentidos
Memoria de los Sentidos spurns the usual flamenco hierarchy to put the guitar at the forefront with a nod to cante and baille towards the end
Memoria de los Sentidos spurns the usual flamenco hierarchy to put the guitar at the forefront with a nod to cante and baille towards the end
Despite the dark and difficult subject matter that is domestic abuse, Khayyam and her five fellow dancers create some beautiful images
It ends with more fabulous guitar playing as Molina appears, dressed bizarrely as some kind of black and red insect. Have we strayed into Kafka?
The costumes are breathtaking, the lighting perfectly captures its changing moods and the dancing, of course, was excellent.
The company are not content with being superb jugglers. There’s a lot of movement skills and comedic flair too
There are shows, and there are events… Royal Ballet principal Marianela Nuñez’ debut with the Paris Opera Ballet was an event with a capital ‘E’
One couple, Breanna Foad and Thiago Pereira stood out, and it was no great surprise when Foad was named Emerging Dancer 2024
It was no surprise when Ellyne Knol, presently finishing her studies at The Conservatoire in The Hague, took the top Gail Monahan Award
An homage to Irish dramatist and novelist Samuel Beckett’s universe, but also a work that in many ways holds up a mirror to ourselves.
Laplane whose Click was such a delight, returns with a new creation, If At First, that explores heroism, a noble quality and worthy of investigation
There is something special about watching Blanche, danced superbly by Marge Hendrick, on her self-destruct journey in the language of dance