London City Ballet in Rebirth: Page, Robbins, Chu, Ratmansky
The company just gets better and better. The eleven dancers were outstanding in their grace, fluidity, musicality and interpretation
The company just gets better and better. The eleven dancers were outstanding in their grace, fluidity, musicality and interpretation
The ACE dancers are outstanding in both works. Their finesse, precision, interpretation, technique, and sheer danceability, are amongst the best…
“A triple-bill that’s classy and classic… Perspectives really is a cracking evening. Maybe too much of a good thing is sometimes not a bad thing at all.”
Eyal’s Into the Hairy for her company, S-E-D, depicts a strange world, one whose inhabitants are disconcertingly humanoid, but not quite human
High-tech projectors pulse like a digital nervous system. This is choreographer Wayne McGregor’s rabbit hole, his twenty-first-century Alice in Wonderland.
A super programme, the highlight being the return of Jo Strømgren’s The Exhibition, a tale of the accidental meeting of two people in a gallery
The programme promises ‘dance theatre.’ What unfolds is closer to an ecological fever dream.
The whole work is a feast of mobile bodies, the inventive movement sometimes jagged and sharp, sometimes wonderfully fluid.
A definite must-see, jam packed with significance and meaning which is often sadly lacking in many other ultra-abstract performances.
Amina Khayyam looks at how women impose thoughts of what is ‘correct’ on other women and perpetuate patriarchal cultural expectations
Dada Masilo’s Salomé lasts just thirty minutes but everything is here… Desire, power and passion are everywhere. The stage is full of sexual tension.