The Mongol Khan: a “quintessential Mongol drama”
A fusion of music, dance, song, dialogue and puppetry with over 70 performers and elaborate sets and costumes, it promises to be a real spectacle.
A fusion of music, dance, song, dialogue and puppetry with over 70 performers and elaborate sets and costumes, it promises to be a real spectacle.
It maybe a work of mathematical abstraction, but it’s one where dance and music truly come together as one… A fascinating watch
Directed by Christopher Marney, it will return to the stage in summer 2024, touring across the UK, including a week at Sadler’s Wells that autumn.
David Dawson’s Metamorphosis 1… as hypnotic as the music, following it in building in intensity and complexity.
Part of the Black British Ballet project, a ballet that seeks to explore the lives and stories of the Windrush Generation and their families
Kristen McNally’s light touch choreography fits perfectly. Nestling beautifully with the text, it’s sometimes playful, occasionally spiky, always colloquial.
The Cellist: a fine piece of dance drama, and a fitting memoir of a brilliant and popular musician whose career and life were so tragically cut short.
Genesis Dance Project features six choreographies to tracks by the iconic band. David Mead talks to Ruth Brill, one of the choreographers.
Mangaldas commands the stage throughout. Forbidden is a journey, her journey based on personal emotions and experiences.
Stripped of emotional content… her choreography is cool, refined and restrained. It’s also intensely beautiful.
They create their soundtrack using a variety of everyday objects and materials scattered around the stage that looks like a… children’s playground