Bringing Frankenstein’s monster to the dance stage
Goddard describes Frankenstein as an episodic work, “A series of romantic era tableaux, inside of which I can kind of operate as The Monster.”
Goddard describes Frankenstein as an episodic work, “A series of romantic era tableaux, inside of which I can kind of operate as The Monster.”
In Un-form, all three dancers are quite compelling, their dance amazingly detailed, superbly performed and clearly with great personal meaning
For the second in our occasional series, the Birmingham Royal Ballet principal dancer chooses his seven works that have particular significance, saying a few words about each. Born in Yilan in the north-east of Taiwan, Tzu-chao Chou (周子超) was very active as a child. When he was nine, his parents thought that dance lessons would … Read more
The fabulous cast are on a par with any West End musical as they give everything, dancing and projecting character for all they are worth
A season of new commissions and the revival of the iconic and popular Romeo & Juliet, A Christmas Carol and Jane Eyre.
Premiering in Birmingham (October 3-5, 2024) before moving to Sadler’s Wells (October 22-23), Luna is a two-act abstract ballet in six movements
La Strada really lights up when Kobborg and Cojocaru come together. She doesn’t just smile her way through their duet, she radiates happiness
The work flips easily between physical theatre and playful contemporary dance, at its best in unison sequences that are invariably tightly performed
Period melodrama brought to vivid life. Love, jealousy, criminality, sexual abuse, murder… And Francesca Hayward was near perfect in the title role
The new Les Noces choreography, very much collaborative, embodies Stravinsky’s music absolutely. There’s a powerful sense of direction of travel.
Daniela Dimova talks about Varna International Ballet’s Swan Lake, now touring, that restores the score and dramaturgy to Tchaikovsky’s original.