The finest of all narrative ballets? Stuttgart Ballet in John Cranko’s Onegin
Martí Fernández Paixà is a superb Onegin, perhaps ballet’s ultimate romantic villain. He fills the stage, even when just standing in the background
Martí Fernández Paixà is a superb Onegin, perhaps ballet’s ultimate romantic villain. He fills the stage, even when just standing in the background
“A dazzling display of showmanship, albeit a performance that lacked clear structure.”