Sydney Dance Company: Ascent
classic contemporary dance, a work of conceptual dance/art and a breakdance-inspired close, all invested with Antipodean energy and commitment
classic contemporary dance, a work of conceptual dance/art and a breakdance-inspired close, all invested with Antipodean energy and commitment
Syncopation deserves to be picked-up and transferred to the West End. Seldom have two performers, or a musical play, deserved it more.
This triple bill of Danses Concertantes, Different Drummer and Requiem gives evidence of the breadth and depth of his creative talents
A dance production that truly speaks to the ills of contemporary society and that is not afraid to make us laugh along the way.
If you can endure the unnerving projections and the musical scares… the brilliant dancers make it a satisfying experience
New and unfamiliar works rub shoulders with old favourites, with Sergio Bernal’s The Thinker the unexpected highlight of a super evening
The dancing was outstanding… McGregor’s choreography, or it is AI choreography, is creative, innovative, and exciting to watch. Until it isn’t.
Swan Lake is the ballerina’s ballet and Nuñez was perfection from her first grand jeté to her final death plunge.
While the company has always projected a sense of excitement and even danger… alas, little was evident in this quadruple bill.
A reimagined concert production of Karol Szymanowski’s ballet score Harnasie. It’s a strange production; certainly an unusual way of presenting dance
Ballet national de Marseille are rooted in rebellion. They are identifiable by the personal risks taken by the dancers, and by (LA) HORDE’s direction