The Mongol Khan
A sort of Peking Opera meets Bollywood mish-mash, with a generous amount of Shakespeare at its roots
A sort of Peking Opera meets Bollywood mish-mash, with a generous amount of Shakespeare at its roots
Taking my seat with the real audience, my two grandchildren, the excitement in the auditorium was palpable. It doesn’t disappoint
A collage of recollected impressions and sensations, and to a lesser extent emotions, of the refugee experience
The exhibition… certainly whets the appetite for the forthcoming screening of the re-mastered film. What it lacks in quantity, it makes up for in quality
The dancers are talented and committed. They bring to the stage control and technique that contrasts starkly with the chaos the piece portrays.
The most impressive of the works proved to be Daniela Cardim’s unashamedly neoclassical ballet to two of Bach’s harpsichord compositions
It is great fun; a show that will delight dance lovers and music lovers, young and old alike. The time flies. The dance comes pretty much non-stop
The undoubted highlight… is Tiler Peck’s Intimate Pages. It’s full of invention and packed with steps. The dance eats up every inch of the stage.
The warmth of the dance came at a good time to counter a damp and increasingly dark London
It maybe a work of mathematical abstraction, but it’s one where dance and music truly come together as one… A fascinating watch
The drummers coalesce into a pulsating oneness of movement, dance, and drumming. The pounding rhythm gets inside you and sweeps you along