National Youth Dance Company: Wall
The dancers are outstanding. Their coherence was stunning, creating visual effects by moving as a group, shaping and reshaping
The dancers are outstanding. Their coherence was stunning, creating visual effects by moving as a group, shaping and reshaping
A very special evening at Sadler’s Wells as nine youth dance companies from all over England came together in an initiative to celebrate creativity
The third year’s classical work was Les Patineurs (1937), and then Pina Bausch’s Tannhăuser Bacchanal (1972), a fascinating piece of dance history
Excellent dancing, good choreography, efficient storytelling. And specially commissioned music. All rather impressive for a first outing by Ballet MAR
The standard was uniformly high although, as in the past couple of years, it was the men, who got two pieces all to themselves, who thrilled
Forget any preconceptions you might have about ‘children’s ballet’… a stunningly professional show… a super evening’s entertainment.
What we’ve come to expect from Ballet Nights is quality, variety and difference. This was evident in spades at the fifth presentation.
The ensemble of eight graduate dancers aged 18-23… brims with talent… a fabulous evening, one filled with energy, passion and fine dancing.
A work of subtle developments. Minute movements have great effect, should you make the effort to notice them, to appreciate their value to the whole
Bacchae will stay with me for a long time… but sadly not for the right reasons. And I am still left with the question: Why?
A wonderfully varied, enjoyable evening that mixed out-and-out classical ballet with contemporary dance, although Oslo-based NNB2 had the edge