How are you? Tjimur Dance Theatre in bulabulay mun?
With a very open-minded approach… Baru Madiljin weaves ancestral memory and still lingering historical scars into the dancers’ bodies and emotions.
With a very open-minded approach… Baru Madiljin weaves ancestral memory and still lingering historical scars into the dancers’ bodies and emotions.
Deeply ingrained with mood and imagery, the whispers of nature and history… evokes pictures of the island, its nature… and its people.
Baru Madiljin explains that, while the work does not describe what happened over 150 years ago, he hopes viewers will feel fragments of memories
Erina Takahashi remains a dancer and actor par excellence. There were excellent performances all round in Taipei, but it was very much her evening.
Jing Wei (精衛): a coming together of dance and Chinese opera. A work of terrific imagery and superb performances. It never flags, even for a second
A day of unusual locations and six performances, including by 79-year-old Zhang Su-fen in Lost in Time (歲月流線), one of the highlights of the festival.
An afternoon that featured two quintuple-bill showcases of works from the Want to Dance Festival ((艋舺國際舞蹈節) Exchange Program
75 performances of 43 works across 16 spaces and venues. The 2025 Want to Dance Festival (艋舺國際舞蹈節) was a fine three days in every sense.
It begins with the choreographer herself looking back and writing themself a letter in dance. The movement, though fluid, tugs in all directions
It takes a lot for a solo to hold an audience for over an hour… yet Su does just that in a remarkable, introspective performance that engages throughout