La Strada: bringing a film classic to the ballet stage
Cojocaru recalls being particularly attracted by Gelsomina’s way of thinking. “Her way of being, of seeing the world… so naive, innocent and simple…”
Cojocaru recalls being particularly attracted by Gelsomina’s way of thinking. “Her way of being, of seeing the world… so naive, innocent and simple…”
In the first of an occasional new series, Alina Cojocaru chooses seven works that have particular significance for her, saying a few words about each.
A unique retrospective of her immersive creations. Across three large rooms, the Munich exhibition presents major creations from her catalogue
Bridget Breiner shifts the action to early 20th-century America. The all-new choreography is refreshingly classical, the ballet a showcase for technique
A show full of imagination and fine physical theatre and dance. It may be aimed at youngsters, but this grown up enjoyed it a lot too!
With all ticket proceeds from which go to the charity, this year’s edition of established favourites and new work was a festive feast of fine dance
Dance at its very best. A fabulous, fabulous seventy minutes of marvellous theatre. A real spectacle that holds you from start to finish
The highlight of the evening was Vittoria Girelli’s Sospesi, an effective visualisation of ideas and coming together of music and movement
A hugely enjoyable interpretation told with lots of imagination. A convincing telling that sends you away with a big, happy smile
A fine showcase of young talent including Heinz Bosl Prize winner Serhii Zharikov with Kaela Tapper in Uwe Scholz’s sublime Sonata
Silent Screen and Schmetterling sit together comfortably, sharing Lightfoot and Léon’s distinct movement vocabulary and strong sense of theatricality