After five years, Onegin returns at the Bayerisches Staatsballett
Reid Anderson has brought a freshness to the Staatsballett performance and its strong characters as they journey through complicated emotions
Jeannette Andersen
A dance of dreams: Zürich Ballett in Marcos Morau’s Nachtträume
A mesmerising piece from the dark realm of dreams inhabited by genderless creatures and a drag-queen in black sequins and a towering tiara
Cathy Marston opens her Ballett Zürich directorship with Walkways
In each ballet, the dancers literal cross from one side of the stage to the other, but their pathways also cross and open new beginnings.
Bayerisches Staatsballett: Alice in Wonderland
Its weird, dream-like story and imaginative set… explode with colour; and it offers multiple roles to show off dancers.
John Cranko: in Memoriam
A look at ‘John Cranko: Tanzvisionär’ a new book of interviews with people associated with Cranko; and the 2nd edition of Ashley Killar’s biography
Returning to artistic directorship: a conversation with Cathy Marston
Marston says, she hopes to “develop and nurture a creative group of individuals, where each single dancer stands out on stage.”
Cathy Marston’s The Cellist with Ballett Zürich
A journey through heartbreaking emotions. As the Cellist, Guilia Tonelli embodied the indescribable pain of losing everything.
Silent Screen and Schmetterling: Bayerisches Staatsballett at its very best
The dancing is at a very high level… With both pieces focusing on relationships and death they complement each other perfectly
Ballett Zürich: On the Move
On the Move is not only the title of Ballett Zürich’s latest triple bill… but also a description of the momentary state of affairs at the company.