Returning to artistic directorship: a conversation with Cathy Marston
Marston says, she hopes to “develop and nurture a creative group of individuals, where each single dancer stands out on stage.”
Jeannette Andersen
Cathy Marston’s The Cellist with Ballett Zürich
A journey through heartbreaking emotions. As the Cellist, Guilia Tonelli embodied the indescribable pain of losing everything.
Silent Screen and Schmetterling: Bayerisches Staatsballett at its very best
The dancing is at a very high level… With both pieces focusing on relationships and death they complement each other perfectly
Ballett Zürich: On the Move
On the Move is not only the title of Ballett Zürich’s latest triple bill… but also a description of the momentary state of affairs at the company.