Luscious, if a bit of a muddle: Northern Ballet’s Casanova
There is some excellent dancing and interesting choreography but the story is complex and Tindall struggles to produce a ballet narrative that works
There is some excellent dancing and interesting choreography but the story is complex and Tindall struggles to produce a ballet narrative that works
Anthony and Kel Matsena take considerable risks as the work follows a maverick path… It is daring, bold and essential viewing.
Marcos Moreau gazes deep into a terrifying world but the anarchy of Pasionaria is so compelling, the detail so intelligent, that it totally captivates
The show is abstract to the point of pointlessness. There is no context, no emotion, just jigging around, writhing and lots and lots of panting
A revealing portrait, with film of rehearsals for Shades of Blue interspersed with insights into the brothers’ experiences as Zimbabwean immigrants in Wales
Two works complement to make a vibrant evening that leave the audience breathless and begging for more.
Ripple is a beautiful, fluid work that remains true to its title. Full of grace and strength, it does indeed constantly reminds one of shifting water
The four new works covered classical and contemporary dance while also allowing the dancers to show their presentation and comedy skills.
Whether the expressionism of Marco Goecke, modern classicism of Hans van Manen, or quirkiness of John Inger, they make dance come truly alive
It remains an unparalleled piece exploring relationships between the sexes…full of ideas and observations that have not lost their brilliance.
As if the juggling wasn’t skilful enough, fiendish ports de bras and footwork are built up ball by ball. I can’t help thinking Merce would have approved.