By the light of the moon: Pina Bausch’s Vollmond
The everyday is made ludicrous, and deeply expressive… The performers engage in games of unfathomable rules… Normal romantic emotions are exaggerated
The everyday is made ludicrous, and deeply expressive… The performers engage in games of unfathomable rules… Normal romantic emotions are exaggerated
Beings is an unusual, and surprisingly riveting, short piece. A duet danced on reinforced rice paper… Wang’s choreography is exquisite
Set to the highly evocative music of neo-soul artist D’Angelo and The Vanguard, An Untitled Love is a flowing, sensuous piece…
Most magnificent of all, is Harrison Dowzell as The Swan… Quite unforgettable. Whether in bird form… or as The Stranger at the Act 3 ball
It’s all a very long way from Keegan-Dolan’s stunning and powerful Swan Lake… Abstract to the point of meaninglessness.
A super hour or so of theatre, one in which bharatnatyam, kathak and kutiyattam come together with ease
EXIT ABOVE is a theatrical happening but it is the sounds that linger rather than the movements.
Mesmerising, infuriating, and riveting in turns, Radioactive Practice is an hour of almost completely silent physical exertion by six performers.
Angel’s Atlas by Crystal Pite doesn’t just speak to the viewer, it doesn’t just reach out and touch, it digs deep inside to find the soul.
David Mead talks to Wubkje Kuindersma and Seeta Patel, two of the five female choreographers for BRB’s new ‘Luna’
The auditorium is a model of versatility with many different configurations. There’s even a properly sprung dance floor in the foyer