A tale of two queens: Badisches Staatsballett in Maria Stuart
While Sophie Martin is a commanding presence as Elizabeth, albeit someone aloof and alone… it is Bridgett Zehr as Mary who stalks every scene
While Sophie Martin is a commanding presence as Elizabeth, albeit someone aloof and alone… it is Bridgett Zehr as Mary who stalks every scene
Overall, the modern pieces showcased the dancers’ skill, technique and emotional engagement somewhat better than the classical ones.
Sleek, slinky and smooth, sophisticated yet playful, Stina Quagebeur’s Deviations feels like peeking in on an easy going jazz club.
Right from its premiere in 1913, ‘Sacre’ has broken with tradition, challenging listeners and viewers, often very successfully. And it does here too
Sadler’s WellsJuly 5, 2023 As part of the London Flamenco Festival, Sara Baras, the worldwide acclaimed Spanish dancer, returned to Sadler’s Wells with Alma (‘soul’), a show directed, scripted, danced and choreographed by herself. Without a doubt, it showed the talent that she has cultivated in her thirty-year career. Even if you have seen flamenco … Read more
An exciting evening for the English National Ballet School… back on track as a quality professional ballet school after a couple of difficult years.
It demands precision. It demands total commitment. And it got all three in full from Gauthier Dance. The beat never stops, and neither do they.
The undoubted highlight of the evening was Robert Battle’s terrific solo, Takademe. Caspar Lench owned the stage…
Glen Tetley’s Voluntaries is intensely moving. The dance soars literally, in its cruciform overhead lifts, and in its spirituality.
“Very much rooted in the actuality of people as human beings… a journey… through the development of identity and who we are.
The show is rammed with instantly hummable melodies. What dance too. The chorus-line, tap, ballroom and comedy numbers just keep giving.