Svetlana Zakharova gives an evening full of Amore, and some terrific ballet
An exceptional triple-bill of new work
An exceptional triple-bill of new work
The dance rises to a transcendental plane finding fresh ways to talk about ancient prejudice
One waits for ages, then two Baiser de la fées come along at once.
MacMillan manages to make quite a lot of the pretty nasty storyline look beautiful
Weird and wonderful sights come thick and fast
Music and dance in an interplay that refuses to be nailed down