Birmingham Royal Ballet’s Nutcracker. A real Christmas treat
Undoubtedly the best production of the ballet in this country by some distance, it’s once again casting its spell over audiences
Undoubtedly the best production of the ballet in this country by some distance, it’s once again casting its spell over audiences
A super hour or so of theatre, one in which bharatnatyam, kathak and kutiyattam come together with ease
An impressive evening from an impressive company. Aunusthan means celebration’ and the show is certainly that.
Wayne McGregor’s MADDADDAM certainly challenges… It’s a ballet that just needs time to percolate through one’s consciousness.
A compelling exploration that sees two dancers explore the cultural essence of their bodies as they seek to answer the questions, ‘Who am I?’ and ‘Who are we?’
EXIT ABOVE is a theatrical happening but it is the sounds that linger rather than the movements.
The couples were never anything less that absolutely precise and perfectly in sync. It is quite mesmerising. For a while.
A real evening of celebration, one that lifted the spirits and gave much enjoyment.
The guys who make-up the company have a tight, clean, precision to their dancing, which makes for incredible group sequences
Based on the life of the legendary pianist Clara Schumann, Marston again takes up the theme of the female musician.
There is a lot to like. It delights in so many ways. Filled with colour and energy, it’s guaranteed to put a smile on the face