National Taiwan University of Sport, Dance Department Graduation Performance
The evening of largely student work consisted entirely of ensemble creations with lots of excellent committed dancing
The evening of largely student work consisted entirely of ensemble creations with lots of excellent committed dancing
A conversation with artistic director Marlon D. Simms about the company, and what Let’s Dance International Frontiers audiences can expect
The ensemble sing as they dance. It’s a choir of voices that really is rather moving. It’s a hot iron that forges tribal strength and unity
Six works by students alongside Self-Portrait by Hung Tsai-hsi and Hofesh Shechter’s powerful In Your Rooms. The dancing was top drawer
Could human dancers have a symbiotic, cybernetics-like relationship with machines, the outcome being a new form of contemporary dance?
It’s one of those very rare pieces that doesn’t just grow on you with repeated viewings but that seems to reveal more and spark new thoughts with each revisiting
Super entertainment. It’s effervescent, the music and dance infectious, the characters relatable to. A tour is surely only a matter of time.
What a wonderfully beguiling Odile Martina Prefetto offered. Here was a real temptress, casting her spell, snaring her prey
Yu Kurihara’s Aurora is light, elegant and comes with a smile that lights up the whole theatre.
There is much to like, not least that all have an overt classical core… A big hurrah too for the fact that three of the pieces feature pointework…
The 2024-25 season also includes a new work by William Forysythe as part of a Forsythe evening, and both the company’s Giselles.