Fish Bowl by Compagnie le Fils du Grand Réseau
The three performers are quite superb. They manipulated the audience to perfection, taking us from crying with laughter, to laughing through tears…
The three performers are quite superb. They manipulated the audience to perfection, taking us from crying with laughter, to laughing through tears…
A tale of love and violence, of belonging to or being expelled, of life and death, all taking place in the liminal space between reality, dream, memory…
A very appealing and always engaging 55-minute look at what it really takes to work creatively with another person
Across both evenings, dialects shifted quickly, textures changed sharply, and technique kept surfacing as a through-line.
About HIV/AIDS, Tell Me certainly leaves its mark. For all its difficult subject matter, it’s also a work that’s warm and full of hope and optimism.
The combination of Christopher Bruce and Leonard Cohen in Troubadour produces a dance magic of the sort rarely seen, spellbinding and unforgettable
The dancers are committed and the themes are ambitious. What I miss is not effort, but clarity.
A coming together of Swan Lake and the ill-fated King Ludwig II of Bavaria, a troubled dreamer renowned for building castles and his homosexuality
Three works that approach dance from very different directions. Movement functioned as performance, but also a way of listening, gathering and questioning
As the always much-anticipated annual Ballet Icons Gala reaches a milestone, David Mead talks to founder-director Olga Balakleets.
Christopher Hampson’s version of the Snow Queen for Scottish Ballet is like a breath of fresh air. A terrifically entertaining spectacle,