Designer Jürgen Rose receives a lifetime achievement award
In ballet, Jürgen Rose is noted for his work with John Cranko and John Neumeier in particular. Jeannette Andersen recently visited him to talk about his work.
In ballet, Jürgen Rose is noted for his work with John Cranko and John Neumeier in particular. Jeannette Andersen recently visited him to talk about his work.
Somewhat more classical than previous years, the standard of dancing was sans pareil. Just what the doctor ordered.
Nuñez’s Giselle looks unusually light within this world. Her peasant dancing is clean and loose, its ease producing flow rather than force
Carlos Acosta’s sunny ballet provides “a lot of joy and a much-needed splash of sunshine on yet another grey, damp, dismal February day.”
An evening that reflected how contemporary choreography increasingly extends beyond movement into installation, ecology, costume and multimedia
Seventy minutes of scenes that poke fun at and parody dance in all its forms, although there are a couple of very poignant moments in there too
The young classical ensemble led by Marika Brussel and Richard Bermange return with three ballets that reimagine history and Jewish narratives
A varied selection of choreographic voices… Every work showed a different sense of direction, whether through ideas, energy or physical presence
It’s a gathering. At times, it has the joy of a ceilidh, but it also has a dark, mysterious edge, and is often quite disconcerting.
Three of the evening’s four pieces were variations on the pas de deux; contrasted by a modern, energy-loaded piece for 23 dancers.
An evening that brought together well-known names and Ballet Nights favourites, and featured the UK debut of Mexico’s Ballet de Monterrey.