Ballet Flamenco Sara Baras: Vuela
Sara Baras and her company, just five years older than the LOndon Flamenco Festival itself, have set the bar very high… A hard act to follow
Sara Baras and her company, just five years older than the LOndon Flamenco Festival itself, have set the bar very high… A hard act to follow
19 shows. 11 days. 9 venues. The first of several reports focuses on director Tobias Staab’s opening remarks, and ‘deadlier than dead’ by Ligia Lewis.
Schonbrun delivered on all counts with beautifully placed feet, crystalline classical positions and a finely drawn reading of a complex, wilful Juliet.
The six dancers present sequence after sequence of precise, tight, intricate, and repetitive dance, that certainly hits the spot.
The live band do more than justice to Steinman’s compositions, they give them fresh life and vigour with feet stamping indulgence
Crystal Pite’s Frontier takes the audience on a fabulous thirty-minute journey to a place somewhere between conscious and unconscious
A more authentically Spanish take on the story, traditional yet innovative and with a contemporary vibe. It looks terrific, and was wonderfully danced
The best performance of the afternoon came in the closing pas de deux from The Firebird… Alexandra Manuel was quite simply terrific
Not only a super demonstration of the range of his output, but the title encapsulates neatly his journey from classical ballet to musical theatre.
One of the most beautifully danced ballets I have seen in a long while. All the dancers were both technically and expressively excellent
For sheer athleticism, expression and the multiple techniques of the dancers, all on show in Cuban Eclectico, they are hard to beat.