New English Ballet Theatre: The Nutcracker
Audrey Nelson is a lovey Clara, capturing that well that moment in life when one is starting to edge into adulthood but still young enough to be childlike
Audrey Nelson is a lovey Clara, capturing that well that moment in life when one is starting to edge into adulthood but still young enough to be childlike
It does look absolutely terrific. It brims with colour and life at every turn. There’s a light touch to the story and dance… Easy on the eye couple of hours.
A rather enjoyable, neatly choreographed, well-danced show… An animated party scene that brims with life, helped by a great deal of dancing
A wonderful two-and-a-half-hours; a masterpiece of character and storytelling… Great music, great dance… a lot of heart… A show you will not forget.
The dancing is terrific. Every single member of the cast bursts with energy and athleticism. Everything is so sharp, so precise, it takes your breath away
A ballet that wraps young and old alike in a warm, familiar fantasy, it’s a chance to snuggle down and forget the world outside for a couple of hours.
All six dancers appeared in all four pieces, performing with class, commitment and bags of energy. Best, though was the way all connected with the audience
In Marco Goecke’s Le Chant du Rossignol, the dancers, all terrifically sharp, precise, appear from and disappear back into a deep, abyss-like upstage blackness.
I can safely say that I have never felt a swan’s breath on the back of my neck. Until now. Because that’s precisely what happened during Act Two…
‘Crash: reassembled’ by Astrid Boons, a reworking of her 2020 piece, and ‘IT’S NIGHT AGAIN’, a new work by Italian choreographer duo Panzetti/Ticconi
The six works on this year’s tour certainly live up the requirement to be “original, imaginative, unique and… display unusual achievement.”