An ode to Taiwan: Taipei Capital Ballet in Echoes from Afar
Deeply ingrained with mood and imagery, the whispers of nature and history… evokes pictures of the island, its nature… and its people.
Deeply ingrained with mood and imagery, the whispers of nature and history… evokes pictures of the island, its nature… and its people.
Baru Madiljin explains that, while the work does not describe what happened over 150 years ago, he hopes viewers will feel fragments of memories
A work that both fascinates and confuses, and that shows Caliban, danced strikingly by Raúl Reinoso Acanda, from a very different perspective.
David Dawson’s Four Last Songs: sleek, extremely physical and emotional… Poetry in motion, it is utterly, utterly gorgeous.
An exploration of the relationships between five couples… visited in turn, each conversation heard in recorded text, seen in dance.
A pleasing, if unexciting evening. While nicely danced, it would be fair to say that none of the three ballets are out of Balanchine’s top drawer.
Fall for Dance Program 3 with Hannah O’Neill and Hugo Marchand of Paris Opera Ballet, Gibney Dance, and Roderick George/kNoname Artist
A stamina-sapping piece by Clara Furey/Bent Hollow, Memphis-Jookin from Charles ‘Lil Buck’ Riley, and Johan Inger’s weird and wonderful Impasse
Square Dance, bright and playful; Episodes, cool, detached and often regarded as Balanchine at his most abstract, and the fun Western Symphony
Set against a backdrop of the trenches and images of men going ‘over the top’, it remains incredibly haunting. The audience was totally rapt.
It was a truly joyous few hours. Performances from BH2, salsa and merengue sessions for everyone, live music from the terrific Tempo Alegre…