Exploring a taboo: Forbidden by Aditi Mangaldas
Mangaldas commands the stage throughout. Forbidden is a journey, her journey based on personal emotions and experiences.
Mangaldas commands the stage throughout. Forbidden is a journey, her journey based on personal emotions and experiences.
Stripped of emotional content… her choreography is cool, refined and restrained. It’s also intensely beautiful.
They create their soundtrack using a variety of everyday objects and materials scattered around the stage that looks like a… children’s playground
You can’t deny it’s a crowd-pleaser. Sunny and warm, full of dancing bullfighters, gypsies and other locals, Don Quixote is real feelgood ballet
There are lots of lifts and combinations. Unfortunately, they are repeated and repeated in sequences that themselves also become repetitive
Su Pin-wen (蘇品文) and Alexandre Fandard are engaging performers with considerable stage presence. Yet both works, failed to deliver fully
A complete unity, where everything is slotted-in and tied together so profoundly that it is hard to imagine them as separate entities
The noted Indian choreographer-dancer talks about her solo show, which considers to often taboo subject of female sexual desire
Pick of the evening was Robert Battle’s The Hunt. About the predatory side of human nature, it’s intense. Very intense.
Boy’s Khaya has dance, music and spoken text but the elements do not always find themselves on the same page.
It was a very impressive two days programming. Noise, colour and community. Innovation and creativity.