Ballet Nacional de España: Invocación
Escuela bolera, contemporary dance with a Spanish twist, danza estilizada, and of course, flamenco.
Escuela bolera, contemporary dance with a Spanish twist, danza estilizada, and of course, flamenco.
Sangeun Lee had emotion in spades, her sharp-edged Odile contrasting starkly with her soft, sad, Odette
A programme designed to show “What we are, who we are, and to give a taste of what we do.” A fine evening of high-quality dancing
The evening rounded off on a high with Rhapsody… Daichi Ikarashi did well, leaping and turning with aplomb
Alter Ego may begin as a performance, its initial solos tightly staged, but as it progresses, we witness a game, a provocative meeting of sorts
The dancers gave generously, obviously enjoying their first time at the Royal Opera House
Memoria de los Sentidos spurns the usual flamenco hierarchy to put the guitar at the forefront with a nod to cante and baille towards the end
Despite the dark and difficult subject matter that is domestic abuse, Khayyam and her five fellow dancers create some beautiful images
It ends with more fabulous guitar playing as Molina appears, dressed bizarrely as some kind of black and red insect. Have we strayed into Kafka?
The costumes are breathtaking, the lighting perfectly captures its changing moods and the dancing, of course, was excellent.
The visits of Tiler Peck and Friends and Alvin Ailey American Dance Theater garner both two awards, with the De Valois lifetime award going to Ian Webb.