A sunny evening with Birmingham Royal Ballet’s La Fille mal gardée
Fine, bright, happy dancing, great characterisations, Osbert Lancaster’s brilliantly sunny designs. Even a super-cute pony. A real heart-warming evening.
Fine, bright, happy dancing, great characterisations, Osbert Lancaster’s brilliantly sunny designs. Even a super-cute pony. A real heart-warming evening.
Ballet returns to the Royal Shakespeare Theatre with Romeo and Juliet. “It’s fabulous to see it again and its Northern Ballet at their best.”
A double bill of ‘Footprints in Jazz’ and ‘Touches of Miles’, both accompanied by live jazz musicians, adding panache and class to the evening.
High level energy, intense colour and loud sound! A non-stop assault on the senses!
Ahead of their debuts as Akram Khan’s Giselle, ENB’s Francesca Velicu and Ivana Bueno spoke to Maggie Foyer about getting into the role.
The dancers are outstanding… they brought youthful energy and zest to the stage… outstanding, always fluid partnering, and depth of emotion
Erina Takahashi brought to her rendition of Giselle, a delicacy, intimacy, and freshness… searing dramatisation of the doomed woman
A very intimate and intense love story between two people, who barely touch each other, and express their love through… rollerblades.
An unexpected surprise. The choreography is endlessly inventive, the corps moving seamlessly from interesting shape to interesting shape
The highlight of the company’s inaugural programme is undoubtedly Kenneth MacMillan’s Ballade.
A super evening. The finale of Moving Cloud is one of the most joyous five minutes or so I’ve witnessed on stage in a long time