Akram Khan Company in Thikra: Night of Remembering
Movement is precise, the ensemble formidable. Hair lashes through the air, sound rises from the floor, drums and chanting mix with the dry friction of sand
Movement is precise, the ensemble formidable. Hair lashes through the air, sound rises from the floor, drums and chanting mix with the dry friction of sand
Alongside the love story, Rudi van Dantzig also shows how the blood feud between the families affects the whole community around them
An enjoyable 75 minutes. My nine-year-old grandson also thought it was magical, although that, I’m afraid, passed me by.
The Wolf is hungry, famished, in fact, but rather than Little Red and Grandma being on the menu, he’s more interested in cakes and honey
Much remains hidden although it is, “Full of excellent physicality and the duo, each in their own way tremendous dancers, clearly have a lot to say.”
With a very open-minded approach… Baru Madiljin weaves ancestral memory and still lingering historical scars into the dancers’ bodies and emotions.
When Marianela Nuñez stepped on stage, it was instantly clear that she was not pretending to be Lise, she was Lise.
They Look Like People is a whimsical exploration of identity… a ‘dance play,’ it is engaging, moving, funny, and entirely in keeping with the dancers
Three very different works set in three very different worlds. All showcase the company terrifically… and in Mabon, something uniquely Welsh.
Sometimes the dance is very much at one with the music, not so much adding layers or illustrating it, but being pushed and pulled by it.
Theatre of Dreams is so far out of the box, that I found it impossible to follow… The staging is certainly innovative and exciting