Onegin with the Bayerisches Staatsballett
Onegin is always big drama – a tale in which the characters turn into human beings, real people who hit you viscerally with all their anguish and throes
Onegin is always big drama – a tale in which the characters turn into human beings, real people who hit you viscerally with all their anguish and throes
In ballet, Jürgen Rose is noted for his work with John Cranko and John Neumeier in particular. Jeannette Andersen recently visited him to talk about his work.
Three of the evening’s four pieces were variations on the pas de deux; contrasted by a modern, energy-loaded piece for 23 dancers.
A tale of love and violence, of belonging to or being expelled, of life and death, all taking place in the liminal space between reality, dream, memory…
A coming together of Swan Lake and the ill-fated King Ludwig II of Bavaria, a troubled dreamer renowned for building castles and his homosexuality
Ahead of performances by the Bayerisches Staatsballett in Munich, Piotr Nardelli talks about staging the work, and why it is still such a success.
In Mats Ek’s ballet, Nancy Osbaldeston… was a zesty Carmen. She insists on her freedom, seeing herself as equal with the men
Keller not only looks like an incarnation of the sylphs in the engravings of the ballet from the Romantic era, she also fills her creature with life
Two pieces by young choreographers, both of whom have a special relationship with the company: Mthuthuzeli November and Phoebe Jewitt.
As musicians and dancers shared the stage, the music seemed to be bound together by moving bodies, which again were bound through the music
The autumn matinee of the Ballett-Akademie der Hochschule für Musik und Theater München (Akademie) and Bayerisches Junior Ballett München (BJBM)