English National Ballet: The Forsythe Programme
Not everyone can carry off Forsythe because it’s about so much more than just steps… English National Ballet have embodied the style fully.
Not everyone can carry off Forsythe because it’s about so much more than just steps… English National Ballet have embodied the style fully.
McNicol uses strong ballet technique to underpin athleticism… and he’s not afraid to work on different levels, challenging his dancers at every step
While the seventh edition of Ballet Nights may have had the suffix ‘007,’ it fell short on James Bond-style thrills.
A terrific evening. It was also one that probably contained more chances to see fouttées than most in the audience get in a year. No one disappointed.
It is important to remember that it is inspired by Madam Butterfly, however, and is not a retelling, as difficult as I found that.
While Varna’s production harks back to the original, it just goes to show how the many alterations over the decades have improved the ballet
As if being able to juggle and dance weren’t enough, Sean Gandini and his company have added magic to the mix.
“A page-turningly good read” as “Fullington and Smith… invite the general and specialist reader alike to rethink nineteenth-century ballet.”
The happy grins and overheard comments during the interval told you all you needed to know. Mary Skeaping’s Giselle is wonderful, a real gem.
It’s all a very long way from Keegan-Dolan’s stunning and powerful Swan Lake… Abstract to the point of meaninglessness.
The highly entertaining show also lovingly mocks acrobatic, contemporary and rhythmic dance. There’s a take on Dirty Dancing, and much more.