Sasha Waltz & Guests: Beethoven 7
A cloud makes its way towards the audience, soon enveloping us in its misty grip. Through the fog are glimpsed figures, human, but…
A cloud makes its way towards the audience, soon enveloping us in its misty grip. Through the fog are glimpsed figures, human, but…
When the assured Riho Sakamoto first stepped out of her home as Giselle, she didn’t so much skip round the stage as fly.
The fascinating collage of scenes and sounds engaged fully, watched over not only by the audience but by the rows of portraits that line the gallery’s walls
“2 Chapters Love may be full of ‘classic’ Eyal but, in many ways, it also feels very much an ode to classical ballet.” Plus Sol Léon’s Stars Like Moths.
The fourth of Sharon Eyal and partner Gai Behar’s work to be danced by the Staatsballett, SAABA is different. Behar’s choreography feels more dreamy.
“…Physical expression that hit me like a visceral experience. The performance jabbed deep into the emotions…”
A very intimate and intense love story between two people, who barely touch each other, and express their love through… rollerblades.
Sphären.02 certainly embraced a spectrum of styles. Whether it said much about future directions for ballet or dance is highly questionable, however.
Les Noces and Stop-Motion may only contain around an hour’s dance, but it proved an evening laden with emotion and intensity.
Mackenzie Brown and Henrik Erikson delivered in spades. Brown’s Juliet seemed to surf the waves of emotion that were flooding through her body
Top quality dancing… But perhaps best of all, everything was very classically rooted, with pointework very much to the fore for the women.