Ultima Vez / Vim Vandekeybus: Void
Sandborgh, Yee and Taddeo display a raw, aggressive and at times brutal male energy, which is rarely seen in choreography for women
Sandborgh, Yee and Taddeo display a raw, aggressive and at times brutal male energy, which is rarely seen in choreography for women
“Having pulled you in, it holds you all the way to the final moment… An unusual Sacre for sure. But also one with a rare beauty.”
Montero’s final work for the Staatstheater Nürnberg Ballett, Malditos Benditos is a series of personal revisiting of some of the his most popular works
The Staatsballett Berlin dancers were beautifully precise and neat in all the complex combinations, the movement looking fresh and innovative
Full of boundless energy, fine dancing and pretty impressive acting… fifty minutes that’s hugely enjoyable and extremely entertaining.
Each movement has its own choreographic and lighting colour, the dance shifting easily from light and bouncy, to more earthy, floor-based
A triptych that speaks about real, urgent, worrying and dramatic themes, realised through a combination of danced poetry and beauty
Kristina Paulin’s ‘Das Schloss’, a ballet version of Kafka’s unfinished novel, Raimondo Rebeck’s Journey of a Memory, and Mauro Bigonzetti’s Cantata
During the show itself, there’s a lot of smiling, irreverence and poking fun at each other. It almost feels like play. You just know they are having a good time
Here was dance of every shade… and all with not so much a smile on its face as a huge grin
Lines and patterns form, break and reform anew, Feet stomp arms whirl, torsos arc backwards… As the tension builds, the power of the group is tremendous