Tanz im August: new takes on flamenco and ballet, and a dash of hip hop
Sometimes more performance-oriented than dance-driven, the festival demonstrated how the various arts languages are increasingly combining
Sometimes more performance-oriented than dance-driven, the festival demonstrated how the various arts languages are increasingly combining
Featuring Oona Doherty’s ‘Navy Blue’, Robyn Orlin’s ‘We wear our wheels with pride…’, Mette Ingvartsen’s ‘The Dancing Public’ and more
The pearl of the week was undoubtedly Sonoma by La Veronal, a surreal work full of captivating images, beauty and strength
A fine programme that reflected well the dancers’ classical training, and the School and Stuttgart Ballet heritage
A long evening with some of the best dance on the planet and memorable performances
Boosted by visitors from Vienna State Ballet and Stuttgart Ballet, an evening of dance and music of amazing quality and variety
Lave appears as a strong yet endangered being of some sort. Her focus is engaged, her stage presence self-assertive and impactful
In Grosse Fuge, the boldness of the performers, an equal gender balance in numbers and spirit, aligns perfectly with the power of Beethoven’s score
The new storyline works well for this shorter version of under two hours but Rojo tries to fit in far too much at the expense of phrasing and structure
The haunted soundscapes, choreography, locations and camerawork combine to create the feeling of dark drama: Nordic Noir come to dance
A look back at the 2021 Czech Dance Platform, which featured 14 productions over three days, plus workshops, forums and discussions