The urgency to live: Léa Tirabasso’s Starving Dingoes
Although human, there is an animalistic element to much of the choreography, which has a primitive feel to it.
Although human, there is an animalistic element to much of the choreography, which has a primitive feel to it.
An evening out, but with an evening in feel. It’s cosy and comfortable. Dance and a story to curl up with, that makes you laugh, that makes you feel.
It’s Christmas, it’s Birmingham, and The Nutcracker is back live. Except that it’s not quite the one we have all been used to the past 30 years.
Birmingham Royal Ballet and Rosie Kay Dance Company. Indie rock and ballet. In Brum. And it was absolutely riveting.
With Momoko Horata and César Morales. BRB did the ballet proud, dancing finely and making the spine tingle in all the right places.
Magical special effects, super designs, and a dragon everyone will love. Following the story is a little tricky though
With Circolombia, it’s the acrobatics that provide all the highlights. Much of it is aerial, which means a grandstand view for all.
The highlight was a superb performance of the Act II of Matthew Bourne’s ‘romantic wee ballet’, Highland Fling
The partner work is as fabulous as you would expect with some great ‘human constructions’ and striking images
The School of BTUK not only go classical for their end-of-year streaming, but for Swan Lake, in full
Beautiful; and at a time when we need some escapism from the uncertainty that surrounds us, just right