Tense and compelling, brave and innovative: Scottish Ballet in The Crucible
Never loses sight of the very real human cost at its centre
Never loses sight of the very real human cost at its centre
Films, live streams and ‘digital experiments’
Filling space with live visual art
Showcasing the most exciting new dance makers in Europe
Abigail Prudames’ depiction of a queen cowed by grief is particularly moving
A fairy tale with something for all
Reverberations of rhythm, direction and intent
A suffusing of the body into its environments and narratives
First Looks was an enjoyable hour of three in-progress works